Independent painter since 2016, working from a studio in Belgrade.
Paintings held in private collections across Europe and the United States.
Twenty solo and group exhibitions since her first show in 2012.
Certificate of authenticity
Every original is signed and accompanied by a certificate.
Worldwide shipping
Insured, tracked, and carefully packed from the Belgrade studio.
Framed or unframed
Framing available on request for an additional quote.
Biography
From Kragujevac to Belgrade and Dubai.
Milica Radović completed her undergraduate and master’s studies at the Faculty of Philology and Arts, in the painting department, under Professor Goran Rakić, graduating in 2013 with a Master of Applied Art.
She has exhibited in group and solo exhibitions throughout Serbia and the region, and her paintings are held in private collections across Europe and the United States. She has been a member of the Association of Fine Artists of Serbia (ULUS) since 2015, and has held independent-artist status in painting since 2016. She lives and works between Belgrade and Dubai.
“At a time when we are increasingly moving away from natural rhythms, returning to nature means returning to one’s own inner being and the simplicity of life. My paintings are a means of quiet rest for anyone pressed by the pace of everyday life.”
Exhibitions
Solo and group exhibitions across Serbia, the region, and abroad since 2012.
Passing Clouds
Contemporary Art Gallery “Nikola Radošević”, Belgrade, Serbia
Predeli
Gallery of the National Library “Đura Jakšić”, Kragujevac, Serbia
Landscape
Kulturni Centar, Ribnica, Kraljevo, Serbia
Two Natures
National Museum “Horreum Margi-Ravno”, Ćuprija, Serbia
Landscapes
Dom Omladine, Kragujevac, Serbia
Shape of Love
Gallery of the Polytechnical School, Kragujevac, Serbia
Painting Exhibition
Modern Gallery of the National Museum, Smederevska Palanka, Serbia
Painting Exhibition
Art Gallery “Art 55”, Niš, Serbia
Paintings Exhibition
Kulturno Umetnički Lavirint, Novi Sad, Serbia
Paintings Exhibition
Petit Salon of the National Museum, Kragujevac, Serbia
Painting Exhibition
Cultural Center, Mladenovac, Serbia
Painting Exhibition
Art Gallery “Stara Kapetanija”, Zemun-Belgrade, Serbia
Drawings Exhibition
Umetnički Kutak, Kragujevac, Serbia
Sale Exhibition “Red”
Art Gallery ULUS, Belgrade, Serbia
Art is Female Gender
Art Association “Art Kvart”, Kragujevac, Serbia
Fine Art — 20 Years of FILUM
University Art Gallery, Kragujevac, Serbia
Traveling Exhibition “Pismo Mediali”
Budapest / Switzerland / Belgrade
Autumn Exhibition
Art Pavilion “Cvijeta Zuzorić”, Mali Kalemegdan, Belgrade
International Art Exhibition “Artija”
Gallery “Mostovi Balkana”, Kragujevac
Women to Women
Culture Centre MDK5, Bydgoszcz, Poland
Young
National Library “Vuk Karadžić”, Kragujevac, Serbia
Art Festival of Doral
Miami, USA
Professor and His Students
Dom Kulture Studentski Grad, Novi Beograd, Serbia
Women Painters
Majdanpek, Serbia
Group Exhibition
National Library “Vuk Karadžić”, Kragujevac, Serbia
In their words
What critics and curators have written about the paintings.
“Vitality and optimism emerge strongly from these paintings, forming a recognisable artistic language and offering new visions of landscape, full of colour and warmth.”
Maja Živanović, art critic — Belgrade, September 2025
Vitality and optimism emerge strongly from these paintings, forming a recognisable artistic language and offering new visions of landscape, full of colour and warmth. Though the artist remains deeply connected to the countryside of Šumadija, her work reaches beyond that region — intimate explorations of a life moment rather than simple depictions of place. Painting directly and impulsively, without preliminary sketches, Radović brings cheerfulness and a return to nature in a way that feels entirely her own.
“A recent graduate at the time, Radović already showed the freedom of thought and expression that marks a mature artist.”
Zdravko Vučinić — Belgrade, November 2013
A recent graduate at the time, Radović already showed the freedom of thought and expression that marks a mature artist. Her figures are usually still, posed in real proportion, while thick, expressionistic layers of paint give the work its rhythm — rich, emotionally dense, and quietly humorous.
“The paintings show a person caught in an ordinary, everyday activity — candid, as though the subject were unaware of being observed.”
Lazar Marković — February 2015
The paintings show a person caught in an ordinary, everyday activity — candid, as though the subject were unaware of being observed. Colour dominates, yet only a few tones appear in any single canvas; the resulting contrast produces a distinct, emotionally charged mood.
“Working from Cézanne's theoretical principles, Radović treats colour as both raw material and expressive language, building a landscape practice free of dogma.”
Dr Sanja Stolić — Kragujevac, December 2019
Working from Cézanne’s theoretical principles, Radović treats colour as both raw material and expressive language, building a landscape practice free of dogma. Her painted scenes are less a subject to be reproduced than a field for exploring form itself — reduced, rhythmic, and precisely composed, sitting between expressionist urgency and fauvist warmth.